Lady Lucinda della Rovera, the renegade canoness of St Dionei, secret sorceress of the “old gods”, has cleverly split the One Faith into bitter factions and with the help of a pliant Duke of Torinia, launches a war to overthrow the king of Valdur and bring back the old ways...
It's funny how sometimes a clever solution to one problem creates a whole new challenge for the next problem...
For the sequel to The Guns of Ivrea, I knew The Witch of Torinia (2016) had to keep with the silhouetted composition. But the question was which themes and how to integrate them in a manner that felt aesthetically consistent?
I decided to combine the central witch, embodying the epic battles she would cause, framed by the lands she sought to control. Here's a collection of sketches from my process. I got my girlfriend at the time to model in dozens of menacing poses. Ultimately it turned out pretty well. I was particularly happy with the color palette and the detailed depth in the sprawling battle scene.
For the sequel to The Guns of Ivrea, I knew The Witch of Torinia (2016) had to keep with the silhouetted composition. But the question was which themes and how to integrate them in a manner that felt aesthetically consistent?
I decided to combine the central witch, embodying the epic battles she would cause, framed by the lands she sought to control. Here's a collection of sketches from my process. I got my girlfriend at the time to model in dozens of menacing poses. Ultimately it turned out pretty well. I was particularly happy with the color palette and the detailed depth in the sprawling battle scene.
Cover sketches
